Mary Newcomb: Drawing from Observation
On New Year's Day 1986, encouraged by Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages:
'I wanted … to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'.
This exhibition coincides with a beautiful new book, compiled by the artist's daughter and grandson with an introduction by William Packer. It reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.
-
Mary Newcomb, At the Show, 1995
-
Mary Newcomb, At Wix
-
Mary Newcomb, Billingford Mill
-
Mary Newcomb, British Saddleback
-
Mary Newcomb, Collared Doves Lifted by Light, 1998
-
Mary Newcomb, Cork Harbour, 1968
-
Mary Newcomb, Country Chapel, 1973
-
Mary Newcomb, Dogs and Hares in March, 1978
-
Mary Newcomb, French Sunday
-
Mary Newcomb, Garden above the Sea, Le Lavandou, 1990
-
Mary Newcomb, Huts in a Clearing, 1970
-
Mary Newcomb, Landscape, Suffolk, 1969
-
Mary Newcomb, Magpie dog going over bridge
-
Mary Newcomb, Pauls Thrashing Day
-
Mary Newcomb, Pink Flower
-
Mary Newcomb, Rabbit Study
-
Mary Newcomb, Study of Pheasants, 1994
-
Mary Newcomb, Swans at a Bend in the River, 1983
-
Mary Newcomb, The Bulging Sun, 1980
-
Mary Newcomb, The Couple
-
Mary Newcomb, The Fishermans lake near Leerdam, Holland
-
Mary Newcomb, The Flooding in of the Light, Feb, 1984
-
Mary Newcomb, The Last Balloon of the Show, 1978
-
Mary Newcomb, The Starling
-
Mary Newcomb, Thistles
-
Mary Newcomb, Waiting for the Country Bus, 1970